스킵네비게이션

Archive

Busan Biennale 2002

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 John 3:16 (2000)

Read 708

관리자 2026-02-02 14:14

작가Paul Pfeiffer
Multimedia artist Paul Pfeiffer is interested in the contents of video as well as its technology. The numerous repetitions of linear images has often represented the desire or the relation of the between being seen and seeing. His work creates complicated meaning and makes allusion for movies and history of art also, and refers to a video sculpture due to his unique way of presentation. He often depicts images from sports, focusing on the players' psychological state stimulated by audiences' fascination and excitement. Besides he leads to take a objective view of monomania and self-effacement inherent in the sports.
TOP