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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Futoshi Miyagi

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BB21024 2024-11-29 10:13

Futoshi Miyagi
How Many Nights, 2017, single-channel video, sounds, 38min.
A Story Teller, 2017, digital C-print, 35.6x23.8cm.
A Night with Crescent Moon, 2017, digital C-print, 35.6x23.8cm.
A Japanese Nightingale, 2017, digital C-print, 35.6x23.8cm (set of 2).
Letter from Manzanar, 2017, digital C-print, 35.6x23.8cm.
Ondine, 2017, digital C-print, 35.6x23.8cm (set of 2).
 
How Many Nights (2017) tells the stories of five female characters who lived in five different places and eras, from pre-WWII America to post-WWII Japan and beyond. They include: Onoto Watanna, a woman who claimed to be Japanese American, wrote love stories staged in Japan, yet was Chinese Canadian who never set her foot on Japan; a nameless woman living in the detention camp in Manzanar, California during the WWII; a Japanese American woman stuck in Japan as the war broke out and ended up working as a radio DJ for Japanese propaganda program, nicknamed Tokyo Rose by her American listeners - soldiers. The tales of these women, both historical and fictional, unveil and loosely relate to one another, as they listen to music such as Schubert’s ‘Serenade’, Clara Schumann’s ‘Nocturne’, and Ravel’s ‘Ondine’. Their stories are woven into a single, clandestine narrative like a series of conversations that transcend time and space. The video is shown with five sets of photographs, all of them showing the images of written or unwritten texts that represent their lives.
 
 
 
 
  
 
Futoshi Miyagi
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