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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Cha Ji Ryang

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BB2024 2024-11-29 15:39

Cha Ji Ryang
Like everything being seen has a bow, 2024, multi-channel video installation, dimension variable.
 
Cha Ji Ryang continues exploring ways to harness the media between the individual and the system to become a complete self. Recently, Cha has been working on sensing and sharing with others the conditions in which art emerges within personal spaces. The title of the work, Like everything being seen has a bow (2024), presented at the Biennale, is a chant for entering a multilayered time-space that represents the phenomenon of being in a “dream/awake” state that the artist experienced. Cha unfolds an audiovisual installation of multilayered reverberations that evoke the beings one encounters and the transpersonal dreams along the journey. It is the landscape of a continuum that occurs between subtly vibrating things that have been drawn up by sinking deep into one’s inner side.
 
 
 
 
 
Cha Ji Ryang
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