The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.
The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.
This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens.The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.
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BB2024 2024-12-02 14:04
Continuous cities, 2024, fabric, drawing on fabric, audience workshop, dimension variable.
Continuous Cities (2024), a series of multiple textile and handmade embroidery pieces are displayed in an installation of curtains and flags hanging from the ceiling and unfolding as travel diaries. Produced since 2017 while travelling, Nafisi conceived these fabric collages as backdrops for occasions as diverse as folk festivals or concerts. First exhibited in the Netherlands in 2019, continuously present in Italy, Pakistan, and Iran in 2019, Finland in 2022, and, collectively for the first time, in Belgium in 2023 and now in Busan, Korea in 2024. Along with the textile pieces, a wall drawing of illustration implies a map of various cities, including their locations, slogans from local uprisings, lyrics from love songs, and much more. The fabrics and the wall illustration are recalled as a travelogue, but also as a map and calendar of untold stories and banned historical and actual geographies. Now using materials from Busan, Nafisi intends to craft a new map reflecting her experiences in the city, while she collaborates with researcher Ahmadali Kadivar developing ideas about the design, installation of the works, or the scenography of performance, as well as ideas about sound and music.
Golrokh Nafisi with Ahmadali Kadivar