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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 The Division of Woman and Man

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관리자 2009-08-28 11:28

작가Stefan Emil Rinck
For the Busan Biennale German artist Stefan Rinck will show a newly commissioned stone sculpture. The artist describes the work as a portrait "of a big creature, or spirit that divides man and woman". This mythical entity comes from a parallel theory to genesis. In the book of genesis, Eve is made from Adam, but in the parallel theory there is just being who divides into two, making man and woman. The work is a playful look at mythology and religion, but religion is not the main subject of investigation. When asked if the artist himself is religious, Rinck is equally as evasive as his work "Yes and no" is the reply. Though perhaps not "the subject"of the work, the materials they are made of are hugely important when considering how the sculptures function. The work for Busan will be made in Granite, the course igneous rock. Stone carving has all the primitive associations of cavemen and neoliphic society and this is something embraced by the artist. As he explains "I like to use stone because I have always been thinking about the Romanic sculptures. So using stone is referring to them. I want to allow the stone to speak, in a way, to be narrative". For Rinck, the idea of marrying "old" materials and "old" subjects, makes perfect sense and also reflects his interest in Romanesque masters such as Gislebertus.
Stefan Rinck was born in Homburg/Saar, Germany in 1973 and now lives and works in Berlin. Between 1993 and 95he studied stone sculptor in Zweibrucken, Germany. Between1995-96 he studied History of Art and Philosophy at the University of the Saarland. Between1996-2000 he studied Sculpture at the Academy of Fine Arts in Karlsruhe, Germany, under Professor Stephan Balkenhol. Recent exhibitions include The Breeder Projects, Athens.(together with Uwe Henneken) Galerie Rudiger Schottle, Munich. Ballhaus Ost, Berlin and Vilma Gold, London
ⓒCedar Lewisohn _ Programmer, Tate Media
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