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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 Children of Shadows

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관리자 2009-08-28 10:04

작가Tsuji Naoyuki
"One of the main features of animations created using charcoal is the afterimage. With this method it's easy to erase or draw over or add details to a previously drawn image, but the previous image never completely disappears.
My method is quite simple. I sit in front of the paper and wait for an idea. When I get an idea, I draw it down and click the shutter a few times. Then I erase a bit and redraw and click the shutter a few more times, and so on. So it's random, yet with direction, ordered towards the future. I start with no set idea for the film. Each image I draw and photograph creates suggestions which lead to the next image, and these images build up inside me as the work advances. I enjoy the unique possibilities of this particular medium, which doesn't require anything else but charcoal and paper.
Children of Shadows is my fourth and longest film. It is based on a famous fairy tale written by the Brothers Grimm that I modified. When I was drawing the images for this film, I was thinking about my childhood and put some of my memories into this work."
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