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Busan Biennale 2024

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.

Dialogue 1: Fight Club: Technology as a Social Relationship

  • Date 2024. 8. 18.
  • Venue HANSUNG1918 Cheongja Hall
  • Panels Nika Dubrovsky, Cory Doctorow
  • Content Pirate utopias and piracy based on technology. Historically referred to illegal looting at sea, Piracy in modern times extends to acts that infringe on copyrights. The session will discuss creative sharing, freedom of expression, fair use, privacy protection, and information transparency related to piracy, and explore how these topics evolve into symbols of deception, rebellion, and the rejection of norms.

Dialogue 2: Buddhist Art: Reality and Illusion

  • Date 2024. 8. 16.
  • Venue Busan Museum of Contemporary Art, 1F Taring Padi’s Podium
  • Panels Song Cheon, Eunjung Cho
  • Content This lecture explores the relationship between reality and illusion. In Buddhism, the world is seen as an illusion called ‘Maya,’ suggesting that our senses and perceptions distort actual reality. This concept is also expressed in Buddhist art, demonstrating that visual images are not just physical objects but carry deep philosophical meanings. This session will explore the relationship between reality and illusion through Buddhist art, discussing how visual expressions encapsulate Buddhist philosophy.
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